By Roger F. Cook
Because the so much well-liked German-Jewish Romantic author, Heinrich Heine (1797-1856) turned a focus for a lot of the stress generated by way of the Jewish assimilation to German tradition in a time marked by way of a growing to be emphasis at the shared ancestry of the German Volk. As either an inventive composer of Romantic verse and the originator of modernist German prose, he defied nationalist-Romantic techniques of inventive genius that grounded German greatness in an idealist culture of Dichter und Denker. And as a brash, usually reckless champion of freedom and social justice, he challenged not just the reactionary ruling powers of recovery Germany but additionally the incipient nationalist ideology that may have fateful effects for the hot Germany--consequences he usually portended with a prophetic imaginative and prescient born of his personal adventure. attaining to the center of the `German question,' the controversies surrounding Heine were as severe because his dying as they have been in his personal lifetime, usually serving as an acid attempt for very important questions of nationwide and social realization. This new quantity of essays via students from Germany, Britain, Canada, and the us bargains new serious insights on key routine concerns in his paintings: the symbiosis of German and Jewish tradition; rising nationalism one of the eu peoples; serious perspectives of Romanticism and glossy philosophy; ecu tradition at the threshold to modernity; irony, wit, and self-critique as needful parts of a latest aesthetic; altering perspectives on teleology and the dialectics of heritage; and ultimate recommendations and reconsiderations from his final, lengthy years in a sickbed. participants: Michael Perraudin, Paul Peters, Roger F. cook dinner, Willi Goetschel, Gerhard HГ¶hn, Paul Reitter, Robert C. Holub, Jeffrey Grossman, Anthony Phelan, Joseph A. Kruse, and George F. Peters. Roger F. cook dinner is professor of German on the collage of Missouri, Columbia.
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Extra info for A Companion to the Works of Heinrich Heine
185–209. The Romantic Poet Illusions Lost and Found: The Experiential World of Heine’s Buch der Lieder Michael Perraudin I T HE GREAT LITERARY-HISTORICAL importance of Heine’s Buch der Lieder of 1827 is as a document of generational disillusion. It articulates as no other work in German does the combination of disappointment, skepticism, irony, and self-pity that was the prevailing mood of the first post-Romantic generation, those born around 1800 and coming to maturity at the beginning of the 1820s.
It is also possible to cut and paste passages from the disk directly to word processing files. However, caution is warranted here. The disk draws from earlier editions of the writings for which the copyright has expired, and the transcription onto the disk includes many typing mistakes. Nonetheless, the search engine makes this CD-ROM edition a very helpful tool indeed. 30 E ROGER F. COOK Notes 1 For two examples, which however understand the nature of his continued participation in the “Freiheitskriege” somewhat differently, see the final arguments of the essays by Gerhard Höhn and Anthony Phelan in this volume.
Mathias Bertram. With illustrations and a copy of Christian Liedtke, Heinrich Heine (Reinbek bei Hamburg: Rowohlt, 1997), and a recording of Die Harzreise. Digitale Bibliothek. Berlin: Directmedia, 1998. ———. Werke, Briefwechsel, Lebenszeugnisse. Säkularausgabe. Ed. Nationale Forschungs- und Gedenkstätten der klassischen deutschen Literatur in Weimar and Centre National de la Recherche Scientifique in Paris. Berlin and Paris: Akademie-Verlag and Editions du CNRS, 1970–. 27 vols. Höhn, Gerhard. Heine-Handbuch: Zeit, Person, Werk.